Tune in and experience the mind-altering effects of Extraterrestrial Radio.
HEADY's Extraterrestrial Radio is an all-new, commercial-free, listener-supported streaming radio service that plays the most expansive collection of modern psychedelic and experimental rock on the internet.
Join our growing audience that has streamed over 1 MILLION minutes of Extraterrestrial Radio since October.
Radio Designed With Sound Quality In Mind — From The Source To The Stream
87% of our library is played in uncompressed quality, the preferred codec of even the snobbiest audiophile. The other 13%? Vinyl rips we could only find in mp3.
Quality Options To Optimize Your Trip, No Matter Where You Are
Thanks to advances in streaming technology, the HD stream offers incredible sound at a mobile-optimized bitrate. The stream works anywhere you have signal.
The Hi-Fi stream offers added improvements in audio and is ideal for home and office listening.
1. MAHAL — Toro y Moi
2. Excess — Automatic
3. Ice, Death, Planets, Lungs, Mushrooms and Lava — K.G.L.W.
4. Kumoyo Island — Kikagaku Moyo
5. Omnium Gatherum — King Gizzard & The Lizard Wizard
6. SongBook — The Lazy Eyes
7. Hellfire — black midi
8. Hello, Hi — Ty Segall
9. Let The Festivities Begin! — Los Bitchos
10. Emotional Eternal — Melody’s Echo Chamber
11. The Organic Band — Babe Rainbow
12. Night Gnomes — Psychedelic Porn Crumpets
13. Natural Brown Prom Queen — Sudan Archives
14. Cave World — Viagra Boys
15. A Foul Form — Osees
16. A Round of Applause — Hooveriii
17. Momentary Presence — Gift
18. A Light For Attracting Attention — The Smile
19. Ants from Up There — Black County, New Road
20. Rapscallion — The Murlocs
The Music Industrial Complex doesn't want you to know about HEADY.
In fact, they are actively working to cut off our transmission.
HEADY threatens the dominance of the Music Industrial Complex, which exploits artists for profit.
Concert promoters and bookers prey on up-and-coming musicians. Some promoters charge independent artists to play shows. It is industry standard for major festivals to not pay emerging artists. The promoters and venues that do pay artists to play? Some are starting to take a cut of the artist's merchandise sales.
Taylor Swift gets millions from Spotify, while independent artists get pennies. Spotify promised to democratize music, but they only promote their own playlists. The bigger problem? Spotify's playlist curators are influenced by record labels.
On "alternative" rock stations, DJs no longer pick the music. Record labels are also on speed dial for program directors, who need their approval before playing artists.
What is the commonality between all these groups? The distribution, performance rights and exposure of artists are under their control. They believe artists can't make it without them.
Fuck. That. Shit.
HEADY is an attempt to take back the power. By combining high-quality, community-curated audio streams, events and community-driven commerce, we can increase the exposure of independent artists, makers and music curators.
Live streaming radio is at the heart of our project. Why?
Increasing internet connectivity in everyday platforms will lead to a bright future for internet radio.
Roughly 45% of radio listening is done in the car. Car manufacturers are adding internet connectivity as they transition to electric and next-generation vehicles. In this process, internet radio is finally being integrated into cars as a default service. In fact, TuneIn, our partner, is already distributing our feed in Tesla, Volvo, and Mercedes-Benz vehicles.
At-home listening? Our stream's native integration with Amazon Alexa and Google Assistant puts us in 66 million U.S. homes, and countless others around the globe without the need to download an app.
HEADY streams are available on Apple Music, the second most used streaming service. With Siri, the stream can also be activated natively, so millions of smartphones can access it without an app.
Think we’re crazy? Observe how often terrestrial radio stations promote Alexa skills and mobile apps. Terrestrial radio stations are now reaching a larger audience online than in their immediate broadcast area.
Independent radio can help musicians we love by uniting real music fans and giving them the opportunity to support their favorite artists.
We start with rock music. If successful, our goal is to recreate the model for other genres of music where gatekeepers take advantage of artists.